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Price: $36.69 ( (as of 2013-01-06 03:45:42 PST) You save $13.29 (27%)
(as of 2013-01-06 03:45:42 PST) |
Phantom of the Paradise (Ultimate Edition) [Blu-ray] by 101 DISTRIBUTION
DescriptionNote: All of the supplemental features on this disc are in PAL. Therefore, if you reside in North America, or another region where PAL is not supported, you must have a Region-Free player capable of converting PAL to NTSC, or a TV set capable of receiving native PAL data, in order to view them. French Import Blu-Ray/Region All pressing. Synopsis; Composer Winslow Leach (William Finley) is determined to seek revenge on Swan (Williams), an evil record tycoon who steals his pop cantana of the Faust legend to launch his enemy's palace as the mysterious Phantom of the Paradise and continues to plan his gruesome retaliation. There are two audio trackS on this Blu-ray disc: English DTS-HD Master Audio 5.1 and French DTS-HD Master Audio 5.1. For the record, the French subtitles are optional (but you can turn them off only with your remote). 2010. Actors
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Editorial ReviewDescribing Brian De Palma's Phantom of the Paradise as an update of the classic Phantom of the Opera doesn't do justice to this demented movie. While De Palma's Hitchcock homages have sometimes led him into dead ends, this rock & roll remake seems to have liberated De Palma's imagination, and the result is weird and funny, with the scruffy underground spirit of the director's early pictures. The Phantom is one Winslow Leach (William Finley), a nerdy songwriter whose “pop cantata” on the subject of Faust is stolen by a freakish, Phil Spector-like rock impresario called Swan (Paul Williams). After getting his head caught in a vinyl-LP compressor, Leach is transformed into a masked creature, haunting Swan's music palace, the Paradise. De Palma proves how nimbly he can establish narrative rhythm: the story moves like a cannon shot, and the musical numbers (especially in the Alice Cooper-like Paradise sequences) are brilliantly cut. The movie seems to predict the Studio 54 scene, MTV, and punk rock–the last, especially, in the figure of Beef, a screeching singer played by the unhinged Gerrit Graham. The songs were written by Paul Williams, that diminutive '70s music icon (he cowrote the Barbra Streisand wet noodle “Evergreen”), and his performance is a reminder of his peculiar, self-spoofing presence: at one point, the preening Swan announces, “You know how I abhor perfection in anyone but myself.” Comedy, musical, horror film, '70s artifact–this movie isn't quite definable, and that's what's wonderful about it. –Robert Horton
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