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Price: $25.99 ( (as of 2013-01-06 02:44:53 PST) You save $13.96 (35%)
(as of 2013-01-06 02:44:53 PST) |
Black Narcissus (The Criterion Collection) [Blu-ray] by Criterion Collection
DescriptionThis explosive work about the conflict between the spirit and the flesh is the epitome of the sensuous style of filmmakers Michael Powell and Emeric Pressburger (I Know Where I’m Going!, The Red Shoes). A group of nuns—played by some of Britain’s best actresses, including Deborah Kerr (From Here to Eternity, An Affair to Remember), Flora Robson (The Rise of Catherine the Great, Wuthering Heights), and Jean Simmons (Great Expectations, Hamlet)—struggles to establish a convent in the snowcapped Himalayas; isolation, extreme weather, altitude, and culture clashes all conspire to drive the well-intentioned missionaries mad. A darkly grand film that won Oscars for its set design and for its cinematography by Jack Cardiff (The Red Shoes, The African Queen), Black Narcissus is one of the greatest achievements by two of cinema’s true visionaries. Actors
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Editorial ReviewAppropriately enough for a picture named for a flower, Black Narcissus exists in a color-drenched, hothouse atmosphere. The setting is a nunnery in the Himalayas, where sister Deborah Kerr has her hands full with an envious nun (the remarkable Kathleen Byron) and a sardonic Englishman (David Farrar). Director Michael Powell and screenwriter Emeric Pressburger, the team responsible for the mid-forties masterpieces A Stairway to Heaven and The Red Shoes, decided to shoot Black Narcissus entirely in the studio, so they could create their own controlled, slightly unreal world. The choice paid off, as both art director Alfred Junge and cinematographer Jack Cardiff won Oscars for their blazing Technicolor work. The climactic sequence–a murder attempt on the cliffs of the cloister–bears special attention, as Powell “set” the sequence to a preexisting musical track, staging it as though it were a piece of visual choreography. Adding a bit of behind-the-scenes tension to the production was the fact that Kerr was the director's ex-mistress, and Byron his current one. “It was a situation not uncommon in show business, I was told,” he later wrote, “but it was new to me.” –Robert Horton
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