Chember Music Adventure, Custom Audio Art of Systematism: Handel – Water Music, Music for The Royal Fireworks – The New Dimension of Sound Series Blu-ray Music by Alexander Jero with Art and 7.1 3-D Sound [Blu-ray] by Blu-ray Music

Description

Video: Masterpieces from Greatest Artists of All Times (Slideshow 1080p HD)

Audio: 7.1 DTS-HD Master Audio 24/96k

Systematism in Audio Arts represents Artistic View and Exploration of possibilities of Sound that started with Edison's invention of the phonograph in 1877 until the 1950s. Second stage of Stereo was based on inventions from the 1930s, reached the public in the mid-'50s, and has provided great listening Pleasure for four decades. Stereo improved the reproduction of timbre and added two dimensions of space: the left- right spread of performers across a Stage, and a set of acoustic cues that allow listeners to perceive a front-to-back dimension.
Current Age represented by Multichannel surround sound technology, natural involving presence in A way that is robust, reliable and consistent there each individual sound can has its Unique location in 3-dimensional space.

— Alexander Golberg Jero

This music-only Blu-ray discs delivers 7.1 DTS-HD Master Audio if and when connections are made with 1.3 and/or 1.4 HDMI cables. If connected with optical cables it will only deliver 5.1 or 6.1 standard DTS quality sound. For the purpose of this review I only used high-speed 1.3 cables connecting the Blu-ray player and the 7.2 AV receiver. I should mention that the present receiver is one of Onkyo s new generation of THX-certified products built around high quality Burr-Brown DACs. The DTS-HD MA encoding of this recording as connected with 1.3 HDMI cables produces a variable bit rate (VBR), bit-for-bit (lossless) stream that includes 7.1 channels with sample rates of 96 kHz. Just as well the DTS-HD MA-encoded files also contain a backward-compatible DTS Digital Surround 5.1 (and 6.1) core with a bit rate of 1509 kbps. However, this review concerns itself only with 7.1 DTS-HD MA channels reproduction. The unique acoustic reality experience that his recording affords to my ears as to the musical phrasing and playing of these two very complex scorings, the orchestral presence, instrumental sections separation, high and low dynamics and instrumental solos are far superior to anything I have heard on so-called true surround recordings. We are placed at the same location that the conductor assumes in the podium, we are not part of the audience – we hear what the conductor hears. Orchestral sound is very close and all around, especially the sound coming out of the two side-surround speakers. In my mind the use of these side speakers totally redefines surround sound; this is a new experience and something to behold. — John Nemaric (Audiophile Audition Review)